finished flimsy

In September, DD and the Grandsons came to visit for two weeks – which was wonderful. It seems so much longer than five weeks since they left. After his experience at Easter time, Older Grandson wanted to sew! This time, Younger Grandson wanted to sew too – but the truth is, he just wanted to be allowed to play with the buttons and dials on my sewing machine!

Older Grandson decided that since he had made blocks from strips last time, this time he was going to make blocks from squares. He chose my container of 3” squares. There was no way that I was going to be left making a quilt entirely from 5” four-patch blocks (b-o-r-i-n-g), so I looked through a book which I later gave to DD (so I can’t tell you what it was called – WM found it at work and brought it home in case I was interested in it) and decided to make a block comprised of two four patches and two units containing half-square triangles. In the unknown book, the block is called “Road to California” but in my “Encyclopaedia of Pieced Quilt Patterns” by Barbara Brackman, the block with this name is a nine-patch block. I couldn't find the block we were making in the Brackman “encyclopaedia” but I eventually found it on EQ7 as “Road to Oklahoma”. The version we made has a light square in the corner where EQ7 has a dark square but, essentially, it is the same block.

OG quickly lost interest when he realised that more care had to be taken when choosing a light square and a dark square (as opposed to randomly selecting any strip) and aligning them carefully before sewing them together. He also realised that all his younger brother was doing was pushing the start/stop button and so that’s what he decided to do too! Therefore, I really can’t say this time that the blocks were made by either grandson. DD, too, lost interest because of the matching of points that has to take place – she’s a perfectionist and if it wasn't exactly right she got frustrated (I can live with a millimetre or two out!) So, in essence, I made the entire flimsy.

At first, I really didn't like it. The lights and darks weren't working as I thought they should. It just seemed too scrappy, too disordered; I like scrappy but need it to be controlled somehow -- usually by the pattern of lights and darks, and this just didn't seem to be coming together. I still don’t have a design wall so I have to use the floor to see what I'm making. Because the blocks were ten inches finished, I needed to have five and a half blocks across and six and a half blocks down to make the flimsy within the size requirements of our quilt group. I, therefore, could see no other way to set the blocks but “straight”; that is, every block (or half block) facing exactly the same way. If I’d had an even number of blocks both ways, there all kinds of permutations on EQ7 that I could have used. But it was not to be!

What is surprising is how quickly this came together; especially considering there 715 pieces in this quilt top. I really didn't want to work on it but had to keep moving the finished blocks and part-blocks every time I wanted to do something else (like play the piano or use the computer). So I bit the bullet and got to work on it. It took three days but I finally completed it last Thursday. So, here for your viewing pleasure, is my Road to Whoopi flimsy. (“Whoopi” is the nickname given by the locals to Woolgoolga, the town where DD, SIL and the grandsons live). Don’t look too closely then you won’t see all the places where the points don’t match exactly! ;-)

It’s not by favourite quilt by any means but, seen in this photograph, the lights and darks are working as they should and the extreme scrappiness is under control. I think I'll quilt it with a light thread through the diagonal light squares (going down from left to right) and with a darker thread through the diagonal dark squares (going the opposite way). But first, of course, I have to make a backing.

Hopefully, I'll be back sooner rather than later to show you either the finished quilt or some photos of our garden or of the grandsons on their recent visit.

In the meantime, may your stitching bring you joy.

there is work in progress

At Easter, DD and the family came to visit – it was so good to be able to spend time with them again; especially since DD and I got to spend some time together in the sewing room. Older Grandson helped to sort scraps and it wasn't long until he wanted to sew too. He loved sitting on my lap and feeding fabric in to the machine that was running on the slowest speed possible. At the end of the weekend, we had nineteen scrappy quarter-log cabin blocks of varying sizes made (they weren’t square and ranged in size from 9” to 11.5”). Unfortunately, I didn’t thing to take photos of the blocks that we made but I do have some photos of Older Grandson hard at work!
 

In May, it was announced at our quilting group that there was going to be a log cabin challenge for all of us to use up scraps! Seems like I was already ahead of the game! LOL

I searched the internet for inspiration – I had absolutely no idea how to put those blocks together given their different sizes and shapes. But sometimes, I just have to be patient and let ideas percolate. In the end I decided to go with a wonky setting but I still had no idea how to go about it. I started looking at tutorials, but all the ones I found were for making sashing on all four sides of he block. I wanted to add sashing on only two sides. In the end, I found my own away to do it – the wider you cut the sashing and the more fabric you are prepared to ‘waste’, the better this works. Again, it didn’t occur to me to take photos of my work in progress – you can see how out of the habit of preparing for blog posts I have become!

Armed with twenty blocks (I made the extra one), I headed to class at my LQS. They have a design wall – I do not! My teacher, who loves traditional patterns and Civil War fabrics, is quite bemused by me sometimes, I think! Here I was with a totally radical modern approach to quilt blocks and I hadn’t even consulted a pattern! I did take a photo of my layout on the design wall but have since deleted in from my iPad – because I’ve finished the quilt top. Here it is for your enjoyment:
 

I have also finished the backing.


The fabric used for the sashing and the backing is Saffron Craig’s Ginkgo Blossoms (c.2009). I used about three and half metres to make this quilt which will finish at 52” x 64” and is made up of twenty 12” blocks plus extra sashing down one side and across the bottom.
This one is basted and in the process of being quilted.

While I was on a roll, I made the backing for another quilt which I had finished in October last year.


It is made from ‘Disappearing Nine Patch’ blocks with one modification – I made the neutral pieces of the nine patch smaller than the coloured parts; thus giving a thinner sashing than would otherwise be seen.


Here is the finished backing, containing my signature panel. the blue sashing gives a completely different look to the neutrals on the front! I have laid the blocks differently too – to form a type of ladder. The backing fabric is a small yellow check, not the solid it appears in the larger photo.
 
My sewing time is taken up with quilting the Wonky Log Cabin quilt; then I’ll get to the Scrappy Disappearing Nine Patch.

In the meantime, my knitting time is spent trying to catch up with my mum who is powering ahead knitting blanket strips. Come back for my next post and see another of her knitted blankets that I have finished.

I'm linking this post with WiP Wednesday over at Freshly Pieced blog. Why not pop over and see what other crafters are up to?

May your stitches bring you much joy.
Lynne

Violet & Friends and the Scrappy Churn Dash

No, it’s not the name of a new children's book or television program. The title is a combination of two of my finished quilts: “Violet & Friends” and “Scrappy Churn Dash” (see what a difference punctuation makes! LOL)

Violet and Friends was begun in 2011 when I first joined the Rainbow Scrap Challenge over at SoScrappy blog. It continued in 2012 as I made more blocks. Finally I had enough six-inch crumb blocks to make a quilt top in violet, orange, pink, yellow, teal and green. I shared a picture of the finished top and the backing panel (it’s my signature to use panels on the back of my quilts) in a post in February last year – obviously I can’t rush into finishing! LOL

This year, I seem to have caught some kind of ‘finishing bug’; instead of starting new projects (so easy to do), I’ve been finishing old ones. Perhaps having mum here is a reminder than one day I may not be able to quilt (or knit) – and I wouldn't want DD to inherit lots of unfinished projects. I inherited three knitting projects of mum’s – one I’ve ripped and re-purposed the yarn (into part of one of mum’s blankets); the other two I’m thinking I’ll turn into one blanket instead of the two that were originally intended.

At Easter, I chose a fabric for the backing and hey presto! A week later, Violet and Friends was finished: quilted, bound and labelled!

  

The quilting was inspired by two classes I took on Craftsy: one was “Creative Quilting with your Walking Foot”, tutored by  Jacquie Gering; the other was “Dot to Dot Quilting” with Angela Waters. Angela’s class was basically about FMQ but I took her ideas and meshed them with Jacquie’s ideas and came up with my own walking foot diamonds (I tried FMQ but I can’t do it to my satisfaction – yet!).

 

It’s custom quilting and, in my opinion, looks great!

The other project in the title, Scrappy Churn Dash, was also started as a ‘Rainbow Scrap Challenge’ project. In January this year, the colour for the month was blue. I had always wanted to make churn dash blocks so made 4.5” squares for the centres. Then I chose a solid chocolate-brown (most people think it’s black) homespun for the churn dash – brown because it is a shade of orange, the complementary colour of blue, this given some warmth to what could have been a very cold-looking quilt. You can see the story of these blocks here in this post from January 2015.

 

I have several metres of one particular blue fabric so the choice for the backing was pretty easy. I only had to make my signature panel. What I had in mind was to ‘float’ churn dashes over the background but the fabrics I chose don’t stand out enough -- I probably should have gone for light colours rather than darks because this medium tone fabric is obviously darker than I think!

   

Anyway, the backing came together quickly and the quilting was done using my new quilting signature – diamonds! This involved more custom-quilting that took a very long time considering there are sixteen four inch squares, eighteen half squares, twelve diamonds, fourteen half diamonds, and four quarter diamonds that were all individually quilted. The only parts that aren’t quilted are the churn dash motifs themselves and the squares in the centre of each churn dash – my teacher and the owner of my LQS both agreed there was more than enough quilting on there to hold the layers in place! It is a donation quilt, after all, and my time is better spent making another quilt than in over-quilting!

My quilts measure about 52” by 64”, so there is quite a lot of turning of the quilt in the quilting process; just as well I bought a machine that has a largish throat! The downside of custom quilting, apart from having to turn the quilt a lot, is all the ends that have to be sewn in when the quilting’s done!

And before I go, I just have to show you my sunglasses case that I also finished in March

and my zipper pouch with box corners that I finished in April.

   

Putting a zipper in is not as difficult as I thought and I look forward to trying some more – I watched several tutorials and think I’ll try this one from Jenny Doan of Missouri Star Quilting Company next.

The sunglasses pouch was made from a tutorial by Gourmet Quilter. I’m not entirely happy with mine but I can see ways of improving on the next one!

After Scrappy Churn Dash was done, I took a few week’s break from quilting and patchwork to work on some family history but now I’m back in to the stitching groove and will be back soon to show you my works in progress. Look for that post next week; Thursday at the latest as I link up with WIP Wednesday over at Freshly Pieced blog.

Until then, may your stitching bring you much joy.

it’s February and some people’s thoughts turn to hearts

This is not the story of a finished quilt, so I hope Val will forgive me – but the Tuesday Archives link-up at Val’s Quilting  Studio looks like so much fun, I couldn’t help wanting to be a part of it.

I have to say, this soon-to-quilt-top is one of my favourite projects ever and I’ve blogged about it several times but it’s never had it’s own post.

In 2011, DD and I , with two month old Younger Grandson, made the hour and a half trek across Sydney for the inaugural meeting of what was to become the Sydney Modern Quilt Guild (now the Sydney Modern Quilt Group). We needed a hand-stitching project to keep us busy (well, DD had her hands full anyway) during the three hour meet-up. I had recently acquired an Accuquilt Go! Baby and had been keen to try it out.


I’m glad I learnt how to do fused appliqué in the few quilting classes I had taken at that point. I had also done embroidery in my past which, of course, included blanket stitch. Putting the two skills together, I was able to work on some of these:


Over the years, DD and I carried appliquéd hearts to meetings of the Caring Hearts Community Quilters and eventually I had thirty blocks done. But they were only 6” (yes, I was a new quilter and forgot to add seam allowance when cutting the squares) so I needed more blocks – or I needed to enlarge them somehow.

Inspiration came from two sources: a chance overhearing of a comment from someone in our quilting group  on the merits of appliqué and/or scrap quilts; the other from the Dresden wedding quilt made by Jess at A Quilty Habit.

I enlarged my blocks and  made them scrappy!


And I worked on the layout until I came up with this:


So, the obvious question is: if I love these blocks and this layout so much; why has the project stalled?  Well, firstly, we moved house! That slowed all projects down for several months! But, more importantly, I know I need to add white sashing between the blocks but I'm not sure how I want to quilt it (using a walking foot; FMQ is out of the question for now). I think I want to echo quilt around the hearts but dragging the whole quilt though my domestic machine (even though I have a 9” harp space) doesn't inspire me so I’m considering QAYG row-by-row (gasp!)

What would you do if you were a novice quilter with little FMQ ability?

slow stitching on the first finish of February

I’m linking this post with Slow Sunday Stitching over on Kathy’s Quilts blog when it goes live later today (it's 7pm Sunday here in Sydney, Australia).

This afternoon, I hand-stitched the two sides of the label that weren’t held down by the binding – a ten minute stitching project that saw my Green Scrappy Strippy quilt completed and become my first finish for February!

This project, started in July last year, was obviously inspired by the Jelly Roll Race quilts. However, this quilt is more thought out – all the fabrics used were graded from light to darkest and the lightest strip is one third from the top of the quilt.

Some of the fabrics, such as the ‘red’ strip at the bottom, don’t even read as green and yet, to my eye, they said ‘green’! Perhaps next time I’d better take a photograph of the fabrics to see what the camera sees!

There are thirty-two rows of 2” strips in this quilt – and I’ve barely made a dent in my green scraps! I wonder what month will be green over on the Rainbow Scrap Challenge which is hosted by Angela at SoScrappy blog.

I quilted this about every four and a half inches apart, with two horizontal rows of quilting, about half an inch apart. I say ‘about’ because, to me, quilting is an art as well as a science and imperfections show that it is made by hand not produced by machine! You can see the quilting better from the back, which also shows my quilting ‘signature’: a pieced panel to widen the fabric to the needed width; in this case the gingham fabric was only 36” so I added a 20” panel giving 56” before trimming. (Yes, those light strips truly are green!)

Although the three layers of the quilt sandwich are well-and-truly joined, I wonder whether I should have added vertical quilting to stop the batting from doing whatever wadding does when there isn’t enough quilting. Please feel free to offer a constructive opinion!

I made eight nearly-WOF lengths into binding and should have realised I had a problem when the base of my Teflon-plated iron gripped the fabric instead of sliding over it. But no – sometimes I miss the obvious! I tried to sew the binding onto the quilt – got about a quarter of the way around (about nineteen inches) when the whole quilt slipped and instead of stitching 1/4 - 3/8 inch from the edge, I was suddenly stitching at about 1/16” for about four inches (slow down driver!)! Of course, that meant some unpicking. In the end, I decided to remove the binding completely – I just didn’t feel right about it.

The following day, not being able to find enough of another fabric to make binding, I decided to go with it. My iron stuck to it again and it smelt awful. Obviously it was a polyester blend and something that felt like plastic doesn’t belong on the bound edge of a lovely soft cotton quilt! In the end, I used three different, similarly-coloured, green fabrics that read as the same tone – look closely, you may be able to see them! (probably not!! LOL)

Here’s a close up of one of the fabrics, I’m getting better with my mitred corners! It’s actually much darker than this photo shows – I like dark bindings – but the mitre wouldn’t show when I darkened the photo!

So that’s it! My first finish for February and my second personal finish for 2015 (sixth if you count the four projects I completed in January that were other people’s starts!)

I'm also linking this post with Thank Goodness It's Finished Friday (I'm a little late) which is being co-hosted at Quokka Quilts and A Quarter Inch from the Edge (I've linked at the latter).

So, what do you think? Should I go back and add some vertical quilting? (I’m not taking the binding off!)
What would you do?

fourth fifth finish in ‘fifteen

I admit that none of these projects began with me. However, I did finish them.

Firstly there were two quilts for which I had to make binding, attach and hand stitch. For our quilting group, they were big quilts; both of them were 280” around.

Then there was the quilt donated by my quilting teacher. When donated, it was at the basted stage so the quilting and binding are my work ( although K. made the binding which was a time saver).

 

A couple of years ago, someone donated a pile of 9.5” QAYG string blocks. I made a quilt from some of them that was shown at the Airing of the Quilts in 2014. 

While sorting through UFOs at the beginning of January, I found another 28 blocks. That wasn’t enough for another quilt so I made another 14 blocks – and in the process discovered that I don’t really like making QAYG string blocks!

Nevertheless all fourteen were made and the quilt was put together. I thought the blocks looked dull and decided I would probably not make another of these quilts in the future.

I chose a royal blue printed fabric for the sashing. It did a great job of making every individual block like a little window or piece of art in its own right and made the quilt look more cohesive. Better still, the quilt went from being dull and lifeless to being quite a ‘happy’ quilt.

Unfortunately, I didn’t have enough of the blue fabric (which was left over backing fabric from the quilt in the first photograph above) to make the binding. WM laughed when I told him yesterday that I had to audition fabrics for the binding. I wanted a darker blue but didn’t have enough of any blue fabric that worked so I changed to red. I found a reddish-brown that had tiny blue dots on it that I thought worked. Of course, the dots are so small that the fabric reads as solid maroon from even a short distance. This is a very inaccurate photo of the colour which is much darker in reality but at least the photo shows the blue dots!

I finished hand-sewing the binding at 12:30 this morning – I didn’t intend to stay up to finish it but you know how it is – once I was approaching that fourth corner I couldn’t put it down. I like the way the blocks seem to fold in and out!

Speaking of corners – this is the first time in nearly five years of quilting that I have four perfectly mitred corners on the back and front of a quilt! Woo-hoo!

 

That’s my fourth finish for this month – I’m so pleased. Maybe I have time to get my Bargello table runner quilted and bound before the end of the month? I have to make a back and quilt it before I can bind it!

ETA: I did get my fifth project finished before the end of the month! You can see it in this post.

How is your January progressing?

I’ll be linking this post with WiP Wednesday at Freshly Pieced, Binding Blitz at juliekquilts and Thank Goodness It’s Finished Friday as they go live this week.

more works in progress

Before I continue, thank you to all the people who left comments in my Sunday post about binding quilt – it seems we all use more or less the same method!

My year will not continue in this vein. Right now, many Australians are on their summer break. Schools are having their summer holidays/vacation. Nearly everything I am involved with is in recess until later in January. That means I have plenty of time to play in my sewing room if I feel so inclined.

Since my post last Wednesday about works in progress, these are the projects that have had some attention:

THE FOUR PATCH QUILT

I only had to finish sewing down the binding on this quilt. However, I had a lot of trouble with the fourth corner, even more than usual, so I had to unpick the binding and carefully sew it back on again. The fourth corner is now the best corner of the lot! I referred to my issues with mitred corners in my post on Sunday; this is a skill I really want to master this year, sooner rather than later. Here’s a photo of the finished quilt (not my work remember; I only added the binding -- I wouldn’t mind laying claim to it though! It’s a great pattern beautifully constructed; if a little too large for me to hold up for the photograph!).

TRIANGLE BRIGHTS AND FLOWERS

The only task left on this quilt was to hand-stitch the binding down. I completed this by the bright, fluoresent light of my sewing room around one o’clock one morning! This is another beautiful quilt (not made by me) but, again, too big for me to hold the width while being photographed!

 

K’s PROJECT

This was the project I showed in my post on Sunday. I was quite surprise and pleased to find that I could quilt almost the whole block in one continuous line – joy! It may not look like it but, with the exception of the two grey lines which were quilted in a different colour, this was how it was done. Quilting gloves and the extension table for my sewing machine made the job easier too!

Despite my joy at completing this project, I’ve decided that quilting in the ditch and dragging a twin-size bed topper through my wide-necked machine are not my favourite parts of the process!

QAYG

Between bouts of quilting, to alleviate the stiffness in my shoulders and neck, I tried to work on the QAYG blocks. I found and cut some batting and backing. I learnt, very quickly, that pre-cutting QAYG backs the finished size is a recipe for disaster! Of course, this makes sense given that we always make our backing larger than our quilt top before quilting and trim away the excess afterwards! So, after carefully cutting several backings to 9.5”, it took only two strips to realise that wasn’t going to work. Fortunately, I have a lot of fabric so making new backings, 10.5” this time, wasn’t a problem. I will save the 9.5” squares (they’re all the same fabric) for another project.

I made a mess of the first block made on the 10.5” backing by not using strips that were long enough! We live and learn and now I know two ways not to do it! Plus I have one orphan block for another project! I watched several videos about QAYG (hurrah for YouTube) and thought I could see my way forward with this project.

Today, I am feeling unexpectedly lethargic (despite a full night’s sleep) so have been pottering on this project. Unfortunately, it means I’ve learnt yet another way not to make it work! The pre-existing blocks are made in a particular way, with a 9.5” front and back and a piece of 9” wadding centred between! I started with a 10.5” back and made all my strips the same (diagonal) length as the ever-shrinking back (it’s being quilted remember) but the wadding moved and ended up less than a quarter of an inch from the edge of the front and back in some places and nearly an inch away from the edge in others! I thought securing it with pins while I sewed on the strips was enough but apparently not enough to stop it from shifting! Thank goodness for seam rippers! Any hints you can give would be greatly appreciated since it’s another three weeks before I see my teacher again!

CRUMBED CHURN DASH

To complete each churn dash block, I need four ‘side’ units and four ‘corner’ units. I am making the corner units with HST (as expected) but I’m making the ‘side’ units from one strip and two squares – it’s a little bit different and helps remind me that these are scrappy blocks after all! I was very excited to see the first Churn Dash block come together – this is my first ever churn dash block and I’m very pleased!

So far, I have made two complete blocks and have eight extra ‘corner’ units completed.

Other than that, I have also cleaned my machine – I try to remember to do it regularly, especially after working with batting: that always seems to make additional lint!

I’m not sure that there will be a “works in progress” post next week – I will be away for three and a half days: tomorrow, WM and I are joining several other couples from church for a long weekend away at Sanctuary Point on the south coast.

I’m linking this post with WIP Wednesday over at Freshly Pieced blog (hosted by Lee) when it goes live later today.

What about you?
What have you been working on this week?

works in progress

Everything I have been working on this week is not originally my project. However, they all need to be completed for the Airing in April so I had to get them done, sooner rather than later. Most of my own projects are at the basting stage and I need to make a trip to my LQS to use the big table there for that process so now was as good a time as any to work on other people’s projects!

Here’s what I've been working on (or plan to work on) this week:

1. four patch quilt – to be bound and labelled
2. triangle brights and flowers – to be bound and labelled
3. pink brights and gingham – backing required
4. K’s project – quilt, bind and label (binding supplied)
5. QAYG string blocks – 14 more blocks needed

At our community quilting group, when projects go to the long-arm quilter, there must be a top and a backing. When projects come back from the quilters (who volunteer their time to help us), the project is usually given back to the original maker to bind. Sometimes the original creator is not there – either they are a member who is absent that day or the quilt top was donated.

Projects #1 and #2 came back from the quilter but the original makers were not there so I ended up with the quilts to bind and label.

For some reason, the member who donated project #3 did not provide a backing so I was asked to make one.

Project #4 was donated to our group by my quilting teacher – the quilt sandwich is made so the trickiest part is done for me!

I have already made a quilt from the donated QAYG string blocks (project #5) but I still have 28 x 9” blocks left. That’s not enough to make a quilt in the size required in our group so I will have to make some more blocks which shouldn't be too much of a hardship given the number of scraps around here!

So, how has my week gone so far?

MONDAY

I didn't do any cutting or sewing: the heat/humidity has stopped me sleeping well and I was too tired to use my rotary cutter and sewing machine safely! Instead, I auditioned fabrics for bindings for projects #1 and #2, both 280” around.

 

Then I read a novel in a day! It was The Dancing Master by Julie Klassen – historical, romantic (Christian) fiction. Ms Klassen has been described as a ‘modern day Jane Austen’ – I’m not so sure but it was a light, enjoyable read.

TUESDAY

I auditioned fabric for the backing of project #3 then put the fabric in the washing machine (on the  ‘easy iron’ setting) because it was stiff and very creased. It’s the same pink fabric in the photo above.

I cut the binding strips, joined them and made binding for both quilts. I then made labels for both quilts from leftover triangle scraps (note to self: write the label after attaching it to the quilt – or write smaller!).

I had to watch a video on binding, because I haven’t bound a quilt for over a year and couldn't remember how to start! Thank goodness for YouTube and all the generous video makers! Eventually, I attached the binding and label to project #1 and began the task of hand-stitching the binding down – I got a little more than halfway (the quilt is 280” around) before it was time for bed!

What looks like a brown and white check is actually tiny white stars on a brown background; which I didn’t notice until I’d already cut the binding strips. It doesn't look like a good choice with that blue backing; but the quilt was mostly browns – here’s a hint (see the checked fabric in the block?:

WEDNESDAY

I started writing this post before I got on with attaching the binding and label to project #2, then I watched another video on mitred corners because mine just weren’t working! They are fine on the front but the back is terrible! I attached the label to the quilt then started sewing on the binding. I got to the second corner and realised there was a hole in the fabric, eight on the fold line of the binding. I had to undo twenty inches so I could remove the hole – it was close to a join in the binding strip – and rejoin the strip. I was about to start sewing again when I realised I was attaching the binding to the back of the quilt! *sigh* 

If it were my quilt, I might have been tempted to keep going but it isn’t and I couldn’t take the risk of bad corners on the front of someone else’s quilt so I spent more than thirty minutes un-sewing the rest of the binding! :-(

Things improved somewhat; I got the binding on eventually. It’s not perfect but it really is the lest I can do. After pressing the binding (I can’t remember ever doing that before but I think I must have – my teacher is very big on pressing) I moved onto project #3.

Piecing a backing involves a bit of maths and, for me at least, the rough drawing of diagrams. Eventually I had it sorted and went to find some strips to join my pieces together – I can’t help myself; it has become my signature to have a panel or some sashing on the back of my quilts. This isn’t mine but I did it anyway. I cut the pieces for the sashing and for the backing. There was some more reverse sewing after I sewed the right side of one piece to the wrong side of another piece but, all in all, with the help of lots of pins, I got the backing finished.

What looks like an off-what fabric is actually a very pale pink. It has some lovely details on the fabric which, of course, can only be viewed close up.

Because I have so many other projects to quilt in the near future, and because I think J. would like this quilt in this year’s Airing, I am not going to attempt to quilt it myself. I will pass the backing and the flimsy on to our coordinator, who will in turn, pass it on to one of the long-arm quilters. If I feel so inclined, I may even make the binding to go with the quilt. I’m thinking I’ll make it out of the same fabric as the back – I have some binding left from project #2 and lots of that fabric left. I’ll think on it – it may be too much having the same binding as backing fabric.

THE REST OF THE WEEK

So, here it is, Wednesday evening, which still leaves me two full days to work on the other two projects and to get the binding done on projects #1 and #2. I’m linking this post with WiP Wednesday over at Lee’s blog, Freshly Pieced.

What about you? Are you crafting this week or is something else occupying your time?